Inspired by the Mexican Mural Movement, and The tower and annex buildings together demonstrate the os- S03 specifically by the recently-completed Central Library of the cillation between vertical and horizontal building forms in S04 National Autonomous University of Mexico (1956)8, the the work of Mies, now reflected in the company’s collective S05 narrative murals featured gigantic enlargements of different memory and also in its conception of the city. Conversely, the tropical, baroque sensu- vitreous walls glowed, bringing alive Dietz’s illustrated sugar K ality of the murals emblematized the company’s modern plu- metamorphosis and transforming the building into a vibrant S01 ralism, galvanized by the company’s own hemispheric transi- urban lantern.
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